Friday, May 28, 2010


Mar 29–Apr 9
"William Daley & Thomas Daley: Collaborations."

Building pots and making buildings/a visual conversation is a collaboration for building between a father and son. William Daley (artist) and Thomas Daley (architect).

Organized by Thomas Daley.

I could not resist putting in a few pictures from this exhibition. I have long admired these pots on the printed page, so it was pretty powerful to see them in person and of course to touch them!
I heard him give a dynamic speech at a previous a NCECA conference.

Here's a quote from Hugh McNichol......


"Last Saturday, I attended William Daley’s exhibition, “Vesica Explorations,” at Swarthmore College. The exhibition of clay pots executed by Bill over the past 20 years is remarkable. Each piece is reflective of the artist’s fascination with the material of clay and it’s intrinsic link between temporal reality and spiritual transcendence. Bill Daley is the patriarch of the American pottery world and a revered figure in the Delaware Valley.....


He explained his process, with drawings on the white wall in his studio, (which he painted over after each piece was completed), explained the transcendence of clay, the mysteries that unfolded in the manual working of such a simple ingredient such as clay and how the material has been an essential part of all human history since man first fashioned a clay vessel for domestic use. Bill cited the Book of Genesis and how God formed man with clay and clay has accompanied man as a essential element ever since."



CATCHING UP ON MY BLOG
March/April
Attending NCECA's conference (National Council on Education for the Ceramic Arts) in Philadelphia this year was one of the best times. And of course the road trip was one of the highlights. Travelling with Barb Murphy, Heather Daymond and Terry Osborne is always good fun and good conversation, all seasoned professional potters. And meeting up with good friends Liz Willoughby and Ron Roy is a treat! The city of Philadelphia was full of gallerys showing ceramic exhibitions, and my favourite was William Daley's strong architectural vessels. The conference was full of good lectures, panel discussions, small group discussions (especially about wood-firing), a large hall of excellent distributors and I am sure the demonstrators were fine (this year I did not get to see them). Looking forward to next year in Tampa, Florida. Check out the website www.nceca.net




SHANE NORRIE AND I ARE BOTH STUDIO POTTERS
FROM INGERSOLL, ONTARIO
FOR YEARS WE HAVE BEEN IN CONVERSATION
ABOUT OUR WORK:
DISCUSSING, CRITIQUING, EXPLORING, ENCOURAGING
SO WE WERE VERY PLEASED WHEN JONATHAN SMITH INVITED US TO PUT TOGETHER AN EXHIBITION,
THUS GIVING US AN OPPORTUNITY TO SHOW THE RESULTS OF THIS ONGOING CONVERSATION.
THIS IS FROM SHANE NORRIE www.shanenorrie.com
AND HIS BLOG.....
"I was very pleased to be asked to exhibit at the Burlington Art Centre, from May 8, until August 1, 2010 alongside my good friend Shirley Clifford, who is also from Ingersoll. The exhibition was organized by Curator of the Collection; Jonathan Smith, M.F.A., who is one of Canada's foremost authorities on ceramics. Although the show is now open, the official opening and artists' tour and talk is on June 6th, from 2-4pm. I have posted a couple of images of the exhibition installation, but this is only a small portion of the work.About the Burlington Art Centre: A multi-faceted facility nestled next to Lake Ontario in the heart of Burlington, Ontario. It is truly a centre for art, supporting artists, staging exhibitions, nurturing a nationally and internationally recognized ceramic collection, and serving the community.Permanent Collection: From its early foundation, the BAC also expanded to become home to a permanent collection of ceramics, vigorously acquired since 1983. The BAC Permanent Collection of Contemporary Canadian Ceramics has achieved international recognition and is the largest such collection in Canada. It continues to grow in size and artistic depth. ( I was very pleased to find out that I have a few pieces included in this terrific collection!) http://www.burlingtonartcentre.on.ca/ for more information."
This is one of the smaller showcases that we like. Jonathan Smith, the curator of the exhibition, has selected Shane's sculptural highly textured pieces and one wall piece/platter to stand with my vases and teapot for a pleasing combination. They look great with the sunlight streaming through the window into the corridor.